Snake Eyes vs. Storm Shadow
Here's how they line up against each other, Snake-Eyes and Storm Shadow, from year to year, version to version, as best as I can figure between here and Yo Joe's website.
I'll bold the ones that I've got now, and italicise the ones that I'm bidding on (if I can).
| Year | Snake-Eyes Version | Year | Storm Shadow Version |
| 1982 | v1![]() |
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| 1983 | v1.5 (kung-fu grip)![]() |
1984 | v1![]() |
| 1985 | v2![]() |
1988 | v2![]() |
| 1989 | v3![]() |
||
| 1991 | v4![]() |
1992 | v3![]() |
| 1993 | v5![]() |
||
| 1994 | v6![]() |
1994 | v4![]() |
| 1997 | v7![]() |
1997 | v5![]() |
| 1997 | v8![]() |
||
| 2000 | v9![]() |
2000 | v6![]() |
| 2002 | v10![]() |
2002 | v7![]() |
| 2002 | v11![]() |
2002 | v8![]() |
| 2002 | v12![]() |
2002 | v9![]() |
| 2002 | v13![]() |
||
| 2002 | v14![]() |
2002 | v10![]() |
| 2003 | v15![]() |
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| 2003 | v16![]() |
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| 2004 | v17![]() |
2004 | v11![]() |
| 2004 | v18![]() |
2004 | v12![]() |
| 2004 | v19![]() |
2004 | v15![]() |
| 2004 | v20![]() |
2004 | v14![]() |
| 2004 | v21![]() |
2004 | v16![]() |
| 2005 | v22![]() |
2004 | v13![]() |
| 2005 | v23![]() |
2005 | v17![]() |
| 2005 | v24![]() |
2005 | v18![]() |
| 2005 | v25![]() |
2005 | v19![]() |
| 2005 | v26![]() |
2005 | v20![]() |
| 2005 | v27![]() |
||
| 2006 | CLASSIFIED | 2006 | Tommy Arashikage |
| 2007 | v28![]() |
2007 | v21![]() |
| 2007 | v29![]() |
2007 | v22![]() |
2008 | v30![]() |
2007 | v23![]() |
| 2008 | v31![]() |
2008 | v24![]() |
| 2008 | v32![]() |
2008 | v25![]() |
| 2008 | v33![]() |
2008 | Red Ninja Leader![]() |
| 2008 | v34![]() |
2008 | v26![]() |
| 2008 | v35![]() |
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| 2008 | v36![]() |
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| 2008 | v37![]() |
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| 2008 | v38![]() |
2008 | v27![]() |
| 2009 | v39![]() |
2009 | v29![]() |
| 2009 | v40![]() |
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| 2009 | v41![]() |
2009 | v30![]() |
| 2009 | v42![]() |
2009 | v31![]() |
| 2009 | v43![]() |
2009 | v32![]() |
| 2009 | v44![]() |
2009 | v33![]() |
| 2009 | v45![]() |
2009 | v34b![]() |
| 2009 | v46![]() |
2009 | v34a![]() |
| 2009 | v47![]() |
2009 | v35![]() |
| 2009 | v48![]() |
2009 | v36![]() |
| 2009 | v49![]() |
2009 | v37![]() |
| 2010 | v50![]() |
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| 2010 | v51![]() |
2010 | v38![]() |
| 2010 | v52![]() |
2010 | v39![]() |
| 2010 | v53![]() |
2010 | v40![]() |
| 2011 | v54![]() |
||
| 2011 | v55 [image courtesy www.generalsjoes.com] |
2009 | v28![]() |
| 2011 | v56![]() |
Hey Lady…
Frequently, I hear something on the radio and think, "Hey, I could play that, if only I had the tabs..."
For the horrifically uncool, "tabs" are "tabulature" which is musospeak for "numbers where your fat fingers should go on the strings and frets.
It's basically how I learned to play guitar.
So, frequently I hear something and want to learn to play it. This is a beautiful way to learn how to play, I've learned, because just like piano lessons from Mrs. Chubbycheeks when I was 8, if the song sucks there's no inspiration to learn it.
Who wants to play shitty music?
Last song that really stuck in my head long enough for me to climb out of the car, go inside, and still somehow magically remember to look it up on Ultimate Guitar (the greatest guitaring website in the entire known Universe, including Uranus) was by Led Zeppelin.
Now, I only knew the opening guitar riff and a bit of the words, so Google had to help, but I found out it's not "Hey Lady" which is something that rude Mexicans yell at you to try and get your girlfriend to buy an overpriced bead necklace or hoodie made from donkey dung.
Nup, it's called "Over the Hills and Far Away" and I happily plugged that into Ultimate Guitar.
I found some tabs I liked (the ones with 3 or more stars on their rating) and clicked the link, breathless with the anticipation that can only come from being the next Robert Plant.
I got this:
This tablature has been made unavailable in your country at the request of the rights owner.
Excuse me?
Unavailable?
IN MY COUNTRY?
They may as well have said, "We're American Assholes so Fuck Everybody." because really, that's what it translates as, and I didn't even use Babelfish.
They also forgot that I am a Google Ninjatastic Pimpdaddy 5th Level of the Octagon, which means I had the "cached" version loaded up and the original content displaying on my browser RIGHT HERE IN MY FUCKING COUNTRY just fine, thank you very much Mr Asshole Rights Owner.
It copied, it printed, it looks just like all the other music in my "Geetar Moozak" folder here, surprisingly enough, and I sound just like Paige and Plant and all the rest of the musical wonderment that may fall out of your radio occasionally.
Go figure.
K, I totally lied, I sound nothing like Robert Plant, but that's because I have decent hair on my head and testicles.
ROCK.
This tablature has been made unavailable in your country at the request of the rights owner.
Snake Eyes
These are all the versions of the G.I. Joe 3-3/4" action figure Snake Eyes. He was my first love, in the comic book and in the toys, and I'd leave my wife for him if only he'd talk.
| Version | Year | Figure URL |
|---|---|---|
| v1 | 1982 | ![]() ![]() ![]() |
| v1.5 (kung-fu grip) | 1983 | ![]() ![]() ![]() |
| v2 | 1985 | ![]() ![]() ![]() ![]() ![]() |
| v3 | 1989 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v4 | 1991 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v5 | 1993 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v6 | 1994 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v7 | 1997 | ![]() ![]() ![]() |
| v8 | 1997 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v9 | 2000 | ![]() ![]() ![]() ![]() ![]() |
| v10 | 2002 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v11 | 2002 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v12 | 2002 | ![]() ![]() ![]() ![]() |
| v13 | 2002 | ![]() ![]() ![]() ![]() |
| v14 | 2002 | ![]() ![]() ![]() ![]() |
| v15 | 2003 | ![]() ![]() ![]() ![]() ![]() |
| v16 | 2003 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v17 | 2004 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v18 | 2004 | ![]() ![]() ![]() |
| v19 | 2004 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v20 | 2004 | ![]() ![]() ![]() ![]() |
| v21 | 2004 | ![]() ![]() |
| v22 | 2005 | ![]() ![]() |
| v23 | 2005 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v24 | 2005 | ![]() ![]() ![]() ![]() |
| v25 | 2005 | ![]() ![]() ![]() ![]() |
| v26 | 2005 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v27 | 2005 | ![]() ![]() ![]() |
| CLASSIFIED | 2006 | |
| v28 | 2007 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v29 | 2007 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v30 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v31 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v32 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v33 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v34 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v35 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v36 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() |
| v37 | 2008 | ![]() ![]() ![]() ![]() ![]() |
| v38 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v39 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v40 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v41 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v42 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v43 | 2009 | ![]() ![]() ![]() ![]() ![]() |
| v44 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v45 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v46 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v47 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v48 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v49 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v50 | 2010 | ![]() |
| v51 | 2010 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v52 | 2010 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v53 | 2010 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v54 | 2011 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
| v55 | 2011 | [image courtesy www.generalsjoes.com] |
| v56 | 2011 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Storm Shadow
These are the versions of G.I. Joe action figure Storm Shadow that I currently either possess or have won on eBay. Nope, I lied, these are all the ones from www.yojoe.com and I'm trying to get all of them. The "Version" will be bolded if I've got my hot li'l hands on 'em and they'll be italicised if I'm in a BIDDING WAR.
Can I just get a Hellacious Yeah?
Right on.
I have a story about Storm Shadow that someday I'll write in the other blog. For now, I'm just using this page as a place to keep track of the Storm Shadows that I've got while getting a visual cue as to which one is which. While I love the yojoe.com site, they don't list all these badboys on one page, and instead you have to click on each version and wait 9 days for all the ads to load.
All images are courtesy of YoJoe.com and I thank them for letting me post them here even though I didn't ask.
| Version | Year | Figure/Accessories | ||
|---|---|---|---|---|
| v1 | 1984 | ![]() ![]() ![]() ![]() ![]() ![]() |
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| v2 | 1988 | ![]() ![]() ![]() ![]() ![]() |
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| v3 | 1992 | ![]() ![]() ![]() ![]() |
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| v4 | 1994 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v5 | 1997 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v6 | 2000 | ![]() ![]() ![]() ![]() |
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| v7 | 2002 | ![]() ![]() ![]() ![]() ![]() ![]() |
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| v8 | 2002 | ![]() ![]() ![]() ![]() ![]() |
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| v9 | 2002 | ![]() ![]() ![]() |
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| v10 | 2002 | ![]() ![]() ![]() ![]() ![]() |
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| v11 | 2004 | ![]() ![]() ![]() ![]() ![]() ![]() |
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| v12 | 2004 | ![]() ![]() ![]() ![]() ![]() |
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| v13 | 2004 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v14 | 2004 | ![]() ![]() ![]() ![]() |
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| v15 | 2004 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v16 | 2004 | ![]() ![]() ![]() ![]() |
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| v17 | 2005 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v18 | 2005 | ![]() ![]() ![]() ![]() |
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| v19 | 2005 | ![]() ![]() ![]() |
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| v20 | 2005 | ![]() ![]() ![]() ![]() ![]() |
Tommy Arashikage | 2006 |
| v21 | 2007 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v22 | 2007 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v23 | 2007 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v24 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v25 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v26 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v27 | 2008 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v28 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v29 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() |
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| v30 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v31 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v32 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v33 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v34a | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v34b | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v35 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v36 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v37 | 2009 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v38 | 2010 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| v39 | 2010 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Too Much You?
I’m not sure exactly what it is about the World We Live In today that suggests to us that we need to be careful, oh-so-careful, about the way that we speak, but naturally I have my own thoughts on it.
When I was “in the system”, growing up with a public-school education in the US, I was taught to:
- Follow the rules.
- Stay inside the lines.
- Not be too “informal” or “too much”.
This type of teaching was drilled into me with a deeper and deeper intensity the further into my education I went. By the time I was in one of the country’s top universities, I was terrified of letting any of my actual personality out for fear that I’d break some sort of rule and be forced out.
Turns out this absolute soul-languishing experience, combined with my own incidental inability to conform, gave me enough bad grades for long enough that they politely asked me to pursue my academic exploits elsewhere. Preferably somewhere that wouldn’t lead me back to them.
For the first time in my adult life I had made a decision based on who I was. It was a real lesson.
An art degree gave me fulfilment I hadn’t yet known, but corporate life made that but a fond memory.
Years on, and yet another job with too much corporate rammed up its ass, and I really started to wilt. Not long after that, I was doing what I should’ve always been doing:
My Own Thing.
So I was launched into the world as my own entity. My own business where I made all the decisions, where I was the only gatekeeper on what was put “out there” into the world.
About 4 minutes after I launched my first company website, I heard those words again.
“Too informal” and “too much”.
I had to politely remind that I’m me, this was my website, and I’d have on it whatever I damn well pleased.
I also had to remind, myself included, that if the deal-breaker with a potential client was the fact that I wrote like I talk, like I think and like I act, then I was probably far better off without that client in my life anyway.
Years later, and I’ve revised my business and its offerings to something a bit different, and another iteration of the website has happened. About 4 minutes after this one launched, a friend once again politely snuck those words in there again.
“Too informal” and “too much”.
I made the point once again, with my foot planted a little firmer in front of me this time, that if people didn’t like how I said what I have to say, then they are doing me a favour by not including themselves in my life.
We're all just people.
Clients are still people, and it still costs me a little bit of my soul to have to interact with them when I strongly dislike them (or they, me). What amount of money is worth your soul, even a little bit of it? (hint: don’t answer that unless you’re my brother)
Wouldn’t you want people who like you, who you in turn like, to engage you and your services? Wouldn’t you rather deal with people that you get along with, that sought you out and chose you over the others because you’re YOU and no one else?
Everyday people engage in something that feeds their soul. They happily part with their hard-earned dough to go to movies and listen to music and read books that are all almost completely made up of someone’s personality. Purely (usually) and honestly (they try to, I'm pretty sure), nearly 100% THEM is boxed up and put out there and people gobble it up because they like it.
Why should someone trying to sell a website be any different? Or a laywer? Or a funeral director? Or an accountant?
Alright, maybe not an accountant. Heh.
But still, why should you be any different when you’re putting yourself out there? When you’re running your own company and you’re the one making all the decisions and you’re the one trying to sell yourself and your services to folks you don’t know… wouldn’t you rather just be you, and know that you’re successful because of that?
I suppose if you think about it, that’s success in and of itself.
I’ll never speak corporate again, on my business’s website or on a client’s behalf. It may not be proven that it helps or hurts, but I sure don’t think it’s worth the risk.
































































































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